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Pursuit, 2010 chromogenic print, Adam Markarenko |
I have a thing for
Michael Sowa whose whimsical and wonderful art you may remember from the movie Amelie. If you don't know who he is, it is worth a look. There is very little on the internet about him, but you can see examples of his work on many sites selling his work as posters. He is a German born painter that is often classified as a modern Surrealist. And behind the surface of well executed paintings of bears and rabbits is something dark and subversive.
When I recently saw the work of
Adam Makarenko, it instantly brought Sowa to mind but there is a depth to these images captured on film that doesn't happen with in Sowa's paintings. Makarenko constructs each scene as a diorama by hand (BY HAND!!! yes i'm shouting. I dread the plasticine round in Scattegories) and then photographs the scene. On top of capturing an incredible level of detail, Makarenko manages to also captures something moody and haunting.
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Wolf on the Road, 2010, chromogenic print, Adam Makarenko |
Digression (but very interesting) regarding Michael Sowa being a Surrealist. I'm sure you're thinking the same thing i did (okay, probably not, but play along) and saying to yourself, "How can this guy be a surrealist? his stuff doesn't look like Dali or Ernst, or anyone else that i associate with the Surrealist moment." Good question. But think about the tenants of Surrealist - to show unexpected dichotomies and challenge perceptions of reality - and the label begins to make more sense. Also remember, Breton said that Surrealism was "first and foremost a revolutionary movement" and painting animals in the style of Classic painters qualifies as being a shit disturber in my book.
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Fowl with Pearls, Michael Sowa |
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